I believe singer Dana is an experiencer. I came across a news article about her releasing a whole album dedicated to the UAP phenomenon. After listening to her music, several aspects stood out to me:
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Dana seems to have deeper insights into UAP history and current affairs than many others. For instance, her first album features a track called “Debunker,” which critiques the ongoing attempts to dismiss UAPs. Another song, “Someone Said”, humorously addresses how the general public is largely indifferent to this topic, despite its significance as possibly the most important story in human history.
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One unique perspective Dana offers on abductions is something I hadn’t encountered before. In her album Bedtime Stories, there’s a song titled “Levitation” that describes a person in bed experiencing vibrations before being lifted through walls, with their “atoms shimmering.” I’ve heard mentions of vibrations during encounters from some, including Garry Nolan, and it makes me wonder if these sensations stem from the atoms in their bodies vibrating. Perhaps NHI has found a way to tune these atoms to a frequency that allows them to pass through walls by aligning with the atomic structure of the walls themselves.
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The most astonishing revelation came from her single “That’s Me.” The song portrays someone who has experienced encounters since the age of four, explaining the reasons behind NHI’s abductions, particularly of children. It’s more than just ‘tagging’; they seem to tap into the abductees’ senses, allowing them to see, hear, taste, and experience life through them. This perspective sheds light on why NHI might prefer to target children—they offer a longer timeframe for study and cultural immersion. A haunting line from the song captures this haunting idea: “You can’t see the unseen. You won’t hear from the cleaned. Cause that’s me.” The track then shifts to a chilling perspective likening the NHI to a predatory force: “We’re multiplying, infecting, manifesting, and evolving. We’re uncompromising, undocumented, uninvited, and underestimated. We’re here, been here, long before you learned to crawl. And now I’ll follow you home…”
You can explore all her songs for free here: https://www.youtube.com/@DanaUnseen.
It’s fascinating to see how Dana blends her personal experiences with the UAP phenomenon in such a creative way. Music has a unique power to convey complex ideas and emotions, and it seems she is harnessing that to raise awareness and provoke thought about these topics.
Her deep knowledge about UAP history and public perception, as highlighted in songs like “Debunker,” indicates she’s doing more than just creating music; she’s engaging in a dialogue about an important and often overlooked subject. It’s refreshing to see someone using their platform for such a purpose.
The concept of vibrations leading to levitation and the potential for NHI to manipulate atomic structure is quite intriguing. It opens up a whole new level of understanding about the nature of reality and suggests possibilities that many haven’t considered. It’s compelling to think about how physics might intersect with experiences described by abductees.
The insights from “That’s Me” regarding the motivations behind abductions are thought-provoking. The idea that NHI may be seeking to immerse themselves in human experiences, especially through children, adds a layer of depth to the discussion about encounters. It raises ethical questions about the nature of these interactions and their implications on humanity’s understanding of itself.
Overall, Dana’s work not only entertains but also encourages deeper reflection on significant topics that touch on consciousness, existence, and our place in the universe. Thanks for sharing her music—I’ll definitely check it out!