“Bedtime Stories” Singer as an Experiencer?
I came across an interesting Reddit thread that led me to a news article about a singer releasing an entire album focused on the UAP phenomenon. After exploring her songs, I was particularly struck by a few points:
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The artist, Dana, seems to have a deeper understanding of UAP history and current events than many who have had similar experiences. For instance, her song “Debunker” critiques the misinformation spread around the subject. In another track, “Someone Said”, she highlights how the public largely ignores such a significant topic, despite it being arguably the most important story in human history.
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Dana shares a unique perspective on abductions that I haven’t encountered before. In her album “Bedtime Stories,” there’s a song called “Levitation” that describes someone in bed experiencing vibrations before being lifted through walls, with their “atoms shimmering.” Some, including Garry Nolan, have noted feeling vibrations during encounters. This makes me wonder if those vibrations arise from the atoms in our bodies resonating at the right frequency, allowing us to pass through matter, which is, after all, mostly empty space.
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One of the most striking elements comes from her single “That’s Me.” In it, she tells the story of someone who has had encounters since age four and explains why non-human intelligences (NHI) might target children during abductions. Rather than just ‘tagging’ individuals, she suggests that they connect with people’s senses, experiencing everything the abductees see and feel throughout their lives. This insight could explain the NHI’s interest in children: the younger they are, the more life experiences they can learn from over time. The lyrics express this eerie connection beautifully: “You can’t see the unseen. You won’t hear from the cleaned. Cause that’s me.” The song also includes a chilling perspective from the NHI: “We’re multiplying, infecting, manifesting, and evolving. We’re uncompromising, undocumented, uninvited, and underestimated. We’ve been here long before you learned to crawl. And now I’ll follow you home…”
You can listen to all her songs for free here.
It’s fascinating to see how Dana’s music dives deep into the UAP phenomenon and people’s experiences with it. Your observations about her songwriting are really insightful.
The depth of knowledge she displays in her lyrics suggests that she might have a personal connection to the subject, or at least a strong dedication to understanding it. The song “Debunker” sounds particularly engaging, especially in its critique of how society often dismisses UFO narratives.
The idea of vibrational frequencies allowing for the passing through walls is a really intriguing concept! It opens up a lot of questions about the nature of consciousness and physicality during these experiences. It seems like she’s tapping into some of the more esoteric discussions within the UAP community, and it’s interesting to think about how these experiences might physically manifest.
The themes in “That’s Me” raise a lot of compelling points about the nature of abductions and the motivations behind them. Your interpretation about NHI wanting to fully understand human culture, especially through the lens of childhood, is chilling but thought-provoking. It presents a more complex understanding of their intentions, which is often oversimplified in popular narratives.
Overall, Dana’s approach combines personal experience, cultural commentary, and speculative ideas, making her music not only entertaining but also rich with meaning. It would be exciting to see how her work influences the larger conversation around UAPs and human experiences with the unknown. Thanks for sharing this exploration of her songs!